Percettiva · Sound as Storytelling 2026 · Extra Module
Sound is not a technical phase that arrives after the image. It's a narrative tool that begins with the writing and runs through everything that follows. An intensive two-day module with Lorenzo d'Amico De Carvalho and Anne-Riitta Ciccone.
The module
Sound is often perceived as something that arrives once the work is already done — in post-production, when the images are edited and the story is locked. In reality, the most important sound decisions are made much earlier: in the writing, in the choice of locations, in the construction of characters, in the rhythm of scenes.
Lorenzo d'Amico De Carvalho and Anne-Riitta Ciccone will guide participants to work with sound as a narrative dimension already present in the screenplay — a perspective that changes the way scenes are written, characters are built and a film is designed from the inside out.
The module is open to directors, screenwriters, producers and any professional who wants to integrate sound thinking into their own creative and production process. Priority access and a 50% reduced fee for scholarship recipients and for MC1 or MC2 participants.
The instructors
A writer and director, and a screenwriter with roots in the Italian cinema tradition. A director and author working between Italy and Finland, with an eye on stories at the margins. Together they co-wrote I'm – Infinita come lo spazio (Venice 2017) and Gli Immortali (Rome 2023).
Writer, director and screenwriter. Grandson of Suso Cecchi d'Amico, he trained as an assistant director with Giuliano Montaldo, Cristina Comencini, Daniele Luchetti and Marco Tullio Giordana. He directed The Rossellinis (2020, nominated for the 2021 David di Donatello) and Gli anni belli (2022). He co-wrote I'm – Infinita come lo spazio (Venice 2017) and Gli Immortali (2024). He teaches at the Centro Sperimentale di Cinematografia in Rome and at RUFA.
A Finnish-born, naturalised Italian director and author. She made her debut with Le Sciamane (2000). L'amore di Màrja (2004) earned her the Globo d'Oro from the Foreign Press. With I'm – Infinita come lo spazio (2017) — the first Italian live-action 3D feature directed by a woman — she took part in the Venice Days at the Venice Film Festival. Her most recent film, Gli Immortali (2024), was selected for the Rome Film Fest 2023. She teaches directing at RUFA.
"A film's sound is built before the camera even starts rolling. Every scene has a sound — you have to learn to listen to it before you write it."Lorenzo d'Amico De Carvalho & Anne-Riitta Ciccone
Programme
Morning
Afternoon
Morning
Afternoon
Fee
The venue
Percettiva is an artistic residency active in the field of culture and professional training. The venue is located in Sardinia, in a natural setting that fosters concentration, immersion and exchange.
The Sound as Storytelling modules take place in this space: not a conference room, not a hotel — a place of work and encounter, where participants live side by side with the instructors for the entire duration of the programme.
Accommodation, meals and transfer are included in the fee precisely to eliminate any distance between the time of training and the time of life: here you work, eat, sleep, and exchange ideas.
Registration
Fill in the form to book your participation. You will receive a confirmation email with instructions to complete payment.